20 October 2009
On Anatid Gifts
Call me strange, but I'm of the persuasion that if someone were to give me a duck, I would take the duck.
06 October 2009
On Choosing a Slogan for Your Product
Choosing a slogan for your product is so important it is often best to leave it to experts. However, paying an advertising firm to pitch your product with some creative and catchy bit of word play can be very expensive, particularly if it is your first product.
So, what can you do?
Firstly, investigate and research other jingles and slogans from products similar to yours in design or function. (Of course, it is best if your product is not too similar to already prominent products. Patent and copyright holders tend to frown on copycat products. Their lawyers, however, tend to grin behind their lawsuit.)
In your research you should notice a common theme occurring throughout the plethora of slogan types for your product. For example, if your product is something usable in the kitchen, the slogan will likely incorporate flash phrases like "slices and dices" or "low on fat, big on taste" or "less likely than the leading brand to sever the distal portions of your phalanges."
Comparably, if your product is a new kind of medicine, your research will turn up slogans like "works quickly," "makes your life happy," or something equally likely to be forgotten mere moments later (and for the following hour and a half) when the announcer tells you everything that could possibly go wrong after taking the medicine, conversely making the potential product purchaser confused whether the commercial is made by the product makers or by their competitors. The point is: don't market prescription drugs in commercials.
Next, should you continue to determine to come up with your own slogan, it is necessary to come up with something fun, catchy, and possibly humorous. Be careful, though, that your interesting slogan is not misleading. Take for example the possible rough draft of the slogan for a well-known poultry producer (who shall remain nameless unless some kind of product placement reimbursement is possible): "The Inedible, Credible Egg." Try to imagine the effectiveness of their ads with a slogan like that. Sure, it gives the consumer a product they can believe in; but will they buy an egg they can't eat? Unless, of course, the product is a type of egg-shaped digital dictionary made out of asbestos-coated lead dipped in bubonic plague.
Finally, when choosing a product slogan, it is vitally important that you let someone else read and react to it before presenting it to the general public. They can present a different perspective that can shape your slogan into something more effective and interesting. Furthermore, it can help eliminate poor planning and editing: something this informative piece would be if I took the time to look back at what I wrote and let someone read it before I posted it.
These pointers are just to help you get started in your slogan creation for your product. Assuming you have a product that someone needs or wants, a great slogan can make even those skeptical buyers look twice at your product. And, above all, avoid grinning lawyers.
So, what can you do?
Firstly, investigate and research other jingles and slogans from products similar to yours in design or function. (Of course, it is best if your product is not too similar to already prominent products. Patent and copyright holders tend to frown on copycat products. Their lawyers, however, tend to grin behind their lawsuit.)
In your research you should notice a common theme occurring throughout the plethora of slogan types for your product. For example, if your product is something usable in the kitchen, the slogan will likely incorporate flash phrases like "slices and dices" or "low on fat, big on taste" or "less likely than the leading brand to sever the distal portions of your phalanges."
Comparably, if your product is a new kind of medicine, your research will turn up slogans like "works quickly," "makes your life happy," or something equally likely to be forgotten mere moments later (and for the following hour and a half) when the announcer tells you everything that could possibly go wrong after taking the medicine, conversely making the potential product purchaser confused whether the commercial is made by the product makers or by their competitors. The point is: don't market prescription drugs in commercials.
Next, should you continue to determine to come up with your own slogan, it is necessary to come up with something fun, catchy, and possibly humorous. Be careful, though, that your interesting slogan is not misleading. Take for example the possible rough draft of the slogan for a well-known poultry producer (who shall remain nameless unless some kind of product placement reimbursement is possible): "The Inedible, Credible Egg." Try to imagine the effectiveness of their ads with a slogan like that. Sure, it gives the consumer a product they can believe in; but will they buy an egg they can't eat? Unless, of course, the product is a type of egg-shaped digital dictionary made out of asbestos-coated lead dipped in bubonic plague.
Finally, when choosing a product slogan, it is vitally important that you let someone else read and react to it before presenting it to the general public. They can present a different perspective that can shape your slogan into something more effective and interesting. Furthermore, it can help eliminate poor planning and editing: something this informative piece would be if I took the time to look back at what I wrote and let someone read it before I posted it.
These pointers are just to help you get started in your slogan creation for your product. Assuming you have a product that someone needs or wants, a great slogan can make even those skeptical buyers look twice at your product. And, above all, avoid grinning lawyers.
02 October 2009
On My Avoidance of Sports
I once heard a sports enthusiast say:
I think that's one of the reasons I never really became a fan of any sports...along with my natural aversion to anything involving forceful physical contact whereby I might get hurt.
"There are two kinds of people that matter in this world: Athletes and Athletic Supporters."
I think that's one of the reasons I never really became a fan of any sports...along with my natural aversion to anything involving forceful physical contact whereby I might get hurt.
21 July 2009
Update
Greetings.
I haven't gone completely away from the blogging, but my busy schedule has gotten even busier. So, I won't be able to update much for at least another week or so.
In the meantime, I bring the following improvisational group to your attention: The No Pants Players. This is West Virginia's Premier Improv Troupe. They are based in Charleston, WV, and perform monthly at South Charleston's LaBelle Theatre.
Rebecka and I went to see them Saturday night (18 July). They are simply hilarious!
I haven't gone completely away from the blogging, but my busy schedule has gotten even busier. So, I won't be able to update much for at least another week or so.
In the meantime, I bring the following improvisational group to your attention: The No Pants Players. This is West Virginia's Premier Improv Troupe. They are based in Charleston, WV, and perform monthly at South Charleston's LaBelle Theatre.
Rebecka and I went to see them Saturday night (18 July). They are simply hilarious!
13 July 2009
Comments on "Song Time, Part Two"
"Chorus for a Country Song" was very random and involved Rebecka and me making fun of a country/gospel song we had heard on the radio. After many derivatives of random parts of the song, this came to mind.
This song is best understood if you sing it with a twang. "Sometimes" should be pronounced, "Sum-tahms," "washcloth" should be "warsh-clauth," and have a bit of a yodel at the end of each phrase.
This song is best understood if you sing it with a twang. "Sometimes" should be pronounced, "Sum-tahms," "washcloth" should be "warsh-clauth," and have a bit of a yodel at the end of each phrase.
Song Time, Part Two
Chorus for a Country Song
Sometimes I think I'm a washcloth,
Then I stop and look at the floor.
I go back to what I was doin',
And wonder what I did that for.
Sometimes I think I'm a washcloth,
Then I stop and look at the floor.
I go back to what I was doin',
And wonder what I did that for.
08 July 2009
Someone's Surprising Sarah
Setting: 7:00AM, Wednesday, 8 July 2009, Somewhere, USA
Seated in a chair, our secretary heroine stares contemplatively at a single book setting in the center of the otherwise empty desk. Sarah wonders where everything has gone: her computer, keyboard, notepads, phone, box of tissues. She hesitantly reaches to open the desk drawer to find nothing inside. Searching through drawer after drawer yields the same results.
Suddenly, the book opens of its own volition. Sarah jerked, causing her chair to roll back about a foot. She sat upright again, determined to figure out what was going on here. Scooting her desk chair forward, Sarah peered into the open book. She gasped at what she saw.
Standing in the center of the page, moving just enough to be noticed as something unusual, was a little figure. Sarah leaned in closer to see exactly what kind of thing it could have been. She saw what appeared to be a little man but with three sets of all appendages.
Shaking his fists violently at Sarah, the little man seemed to be shouting, though his voice was much to tiny for her to hear anything. Sarah leaned a little closer, causing the little man to step back and cringe into a shielded position. Slowly he raised up his head as he realized no danger befell him. Sarah began to speak, but his frantic fist shaking began again; this time, she was close enough to hear.
"Shhh--before you speak, listen to what I have to say!" the little man shouted as loudly as he could, although his voice barely reached Sarah's threshold of hearing at the tiny frequency the voice emitted. "Sarah, I have been sent here to bring you a message, and you must promise to listen." Shocked that he knew her name, Sarah's eyes grew wide and her breathing became shallow. She studied the little man's face a while before she realized he had paused, waiting to hear a response.
She stuttered out a quiet and meager "Sure." Sarah listened intently as the little man spoke slowly and clearly.
"Sarah, you may have wondered why your desk was empty, save for this book and, of course, me. Someone in management has sent me here in a very surreptitious manner to tell you this. Sarah, you're fired."
Sarah paused a moment, taking in the little man's words, making sure she got every little word. She jerked her head backwards as she realized finally exactly what he said. She just got fired! Sarah glared at the little man and quickly grabbed the front of the book. Slam went the book as the heavy cover met the rest of the open pages.
Slowly Sarah opened the book to the page where the little man had stood. She was not sure he was even real; but if he was, had she just killed him? Situated on the center of the page, just where he had been standing, was a light colored smudge. Sarah looked closer and saw that the smudge was actually paint, and written in the paint in tiny but discernible letters was the word "Surprise!"
Sarah stood up, confused. Streamers and confetti started streaming down from the ceiling. Salsa music started playing out of invisible speakers. Some of her coworkers started emerging from the walls as if they were at one point part of the drywall, but now back in human form. She looked at the desk again. Standing in the middle of the book where the paint had just been was the little man with three sets of all appendages smiling, waving, and shouting happily.
Somehow a cake rose out of the desk. Scribbled in sugary, blue icing was "Sarah, You're Fired!" Sarah was now very disoriented, feeling the room shift around her like water in a washing machine. She raised her hands to her face and would have screamed had her larynx not been frozen. She started to run away but, as if on a treadmill, she stayed in one place.
Suddenly the world stopped. Sarah found herself falling quickly until, finally, she sat up in bed. Sleeping beside her up until now, her husband woke up and asked if everything was okay.
"Sure, sure...just a bad dream," she murmured sleepily.
"Someone needs to stop eating pizza at bedtime," her husband warned warily.
Sarah nodded in silent agreement and began to lay her head back down to sleep, until she saw something that made her scream--out loud this time. Sitting across the room on her dresser was the little man with three sets of all appendages waving, smiling, and shouting happily: "Surprise!"
Seated in a chair, our secretary heroine stares contemplatively at a single book setting in the center of the otherwise empty desk. Sarah wonders where everything has gone: her computer, keyboard, notepads, phone, box of tissues. She hesitantly reaches to open the desk drawer to find nothing inside. Searching through drawer after drawer yields the same results.
Suddenly, the book opens of its own volition. Sarah jerked, causing her chair to roll back about a foot. She sat upright again, determined to figure out what was going on here. Scooting her desk chair forward, Sarah peered into the open book. She gasped at what she saw.
Standing in the center of the page, moving just enough to be noticed as something unusual, was a little figure. Sarah leaned in closer to see exactly what kind of thing it could have been. She saw what appeared to be a little man but with three sets of all appendages.
Shaking his fists violently at Sarah, the little man seemed to be shouting, though his voice was much to tiny for her to hear anything. Sarah leaned a little closer, causing the little man to step back and cringe into a shielded position. Slowly he raised up his head as he realized no danger befell him. Sarah began to speak, but his frantic fist shaking began again; this time, she was close enough to hear.
"Shhh--before you speak, listen to what I have to say!" the little man shouted as loudly as he could, although his voice barely reached Sarah's threshold of hearing at the tiny frequency the voice emitted. "Sarah, I have been sent here to bring you a message, and you must promise to listen." Shocked that he knew her name, Sarah's eyes grew wide and her breathing became shallow. She studied the little man's face a while before she realized he had paused, waiting to hear a response.
She stuttered out a quiet and meager "Sure." Sarah listened intently as the little man spoke slowly and clearly.
"Sarah, you may have wondered why your desk was empty, save for this book and, of course, me. Someone in management has sent me here in a very surreptitious manner to tell you this. Sarah, you're fired."
Sarah paused a moment, taking in the little man's words, making sure she got every little word. She jerked her head backwards as she realized finally exactly what he said. She just got fired! Sarah glared at the little man and quickly grabbed the front of the book. Slam went the book as the heavy cover met the rest of the open pages.
Slowly Sarah opened the book to the page where the little man had stood. She was not sure he was even real; but if he was, had she just killed him? Situated on the center of the page, just where he had been standing, was a light colored smudge. Sarah looked closer and saw that the smudge was actually paint, and written in the paint in tiny but discernible letters was the word "Surprise!"
Sarah stood up, confused. Streamers and confetti started streaming down from the ceiling. Salsa music started playing out of invisible speakers. Some of her coworkers started emerging from the walls as if they were at one point part of the drywall, but now back in human form. She looked at the desk again. Standing in the middle of the book where the paint had just been was the little man with three sets of all appendages smiling, waving, and shouting happily.
Somehow a cake rose out of the desk. Scribbled in sugary, blue icing was "Sarah, You're Fired!" Sarah was now very disoriented, feeling the room shift around her like water in a washing machine. She raised her hands to her face and would have screamed had her larynx not been frozen. She started to run away but, as if on a treadmill, she stayed in one place.
Suddenly the world stopped. Sarah found herself falling quickly until, finally, she sat up in bed. Sleeping beside her up until now, her husband woke up and asked if everything was okay.
"Sure, sure...just a bad dream," she murmured sleepily.
"Someone needs to stop eating pizza at bedtime," her husband warned warily.
Sarah nodded in silent agreement and began to lay her head back down to sleep, until she saw something that made her scream--out loud this time. Sitting across the room on her dresser was the little man with three sets of all appendages waving, smiling, and shouting happily: "Surprise!"
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